Each time I go to Goodwill, I end up leaving with a stack of books that live on my shelf indefinitely. I always plan to read them, yet somehow always end up with more that I don’t get around to. A few weeks ago, I found All the Bright Places sitting on my shelf and was drawn to it. I had heard some things about it, but was not at all expecting the emotional whirlwind it took me on. I devoured it in a day, then immediately watched the movie afterwards to compare—and I have some thoughts on the adaptation.
All the Bright Places tells the story of Finch and Violet, an unlikely pair that first meet on the top of the school’s bell tower. They are the only two who know the truth about who saved who as the story circulates the school. When they’re paired to do a school project together, they discover just how much they need each other. But as Violet heals, Finch begins to sink.
I fell in love with this book the second I finished it and I knew it had been made into a movie, so immediately after closing the book I pulled it up on Netflix. Generally, the movie did a good job bringing these characters to life. The casting is one place where they excelled. Elle Fanning is a perfect Violet—she’s exactly how I pictured her in my head. Justice Smith, as Finch, was excellently cast as well, which really aided in putting the story on the big screen.
Casting aside, there were a few changes made that I found a bit odd. For starters, in the novel Violet and Finch meet on the top of the bell tower and most of the school sees them up there, turning it into a whole ordeal. In the movie, however, Violet is on a bridge when Finch finds her. It seems like a minor change, yet in the novel a large part of the reason they’re thrown together is because of the news story that spirals from being caught up there. Ultimately, this didn’t make a huge difference to the overall feeling and message of the story, but I was surprised when at it.
A common flaw when translating a book to a movie is the timeline. I noticed while watching that it almost felt rushed, but I also think that is just a result of the medium. Generally speaking, the important moments were articulated well and the actors did a great job bringing this movie to life. I will almost always favor books to movies, and I definitely recommend reading the book first, but the movie does bring the story to life in a touching way.
If you haven’t read this book already, I definitely recommend it to anyone looking for a new tearjerker. Niven touches on a lot of important, and often overlooked, issues, especially in literature, and for that I applaud her. I recommend both the novel and the film, but I suggest that you read the book first to get the full effect. You can purchase it here.
For as long as stories have been being told on our screens, novels have been mined as source material. While often the product is far from the original text, adaptations can breathe new life into a story and illuminate a new aspects of some of our favorite fictional worlds. With the advent of popular streaming services and ever increasing production budgets, now more than ever books are being turned into films. Here are some of my favorite television shows based on books.
Jonathan Strange & Mr Norrell – Susanna Clarke. This book has it all—intricate history told against the backdrop of the Napoleonic wars, political intrigue, battle scenes, magicians, fairies, and books—so it is no surprise that it would be adapted into a stellar TV show. This seven episode mini-series produced by BBC One boasts an impressive cast with actors Bertie Carvel and Eddie Marsan in the titular roles. Of all of the adaptations on this list, Jonathan Strange & Mr Norrell stays as close to the story portrayed by the book as it can.
Game of Thrones – George R.R. Martin. It seems like a given that Game of Thrones would be on this list. HBO’s mega-hit series has changed everything I thought possible when it comes to creating a TV show—especially a fantasy TV show. While the response to the last few seasons of this show was not as enthusiastic as when it was originally released, there is no denying the cultural impact it has had. This show is full of slow burning plot lines, unexpected twists, and makes for an experience that cannot be described as anything less than entertaining.
Tales of the City – Armistead Maupin. In 2019 Netflix released a star studded revival of Armistead Maupin’s popular series Tales from the City. This miniseries is a continuation of three previous miniseries based on Maupin’s work and features some of the same characters. This incarnation of the show goes even further by way of diversity and inclusion and gives a voice to many characters who are extremely underrepresented by the media. All the while, a riveting and emotional mystery unfolds that will have viewers hooked until the end.
The Handmaid’s Tale – Margaret Atwood. In 1985 when Margaret Atwood published The Handmaid’s Tale, there was no way of knowing that the story would draw so many parallels to the coming world. In 2017 when season one premiered, it seemed as if there was no show that the world needed more. The Handmaid’s Tale shows just how fine the line is between freedom and a strict totalitarian regime. It emphasizes the danger of discrimination and valuing one type of human life over another. Most importantly, in my opinion, this show highlights the danger that some women face every day simply for existing.
The Haunting of Hill House – Shirley Jackson. I started this list with an adaption that stayed fairly true to its source material, and so it feels only natural that I end it with something that deviates from the original in a big way. Like so many adaptions of Shirley Jackson’s The Haunting of Hill House, the 2018 Netflix show is a far cry from the novel. This fresh take on the Hill House, however, is one of those cases where the story is given new life. As terrifying as it is compelling, this show will suck you in until its final episode. I only have two pieces of advice about how best to watch it: with the lights on and not alone!