Edward Dolehanty is a writer studying English at Arizona State University. He enjoys writing, reading, hiking, craft coffee, and arguing with his cats. He intends to pursue an MFA in Creative Writing. Follow him on most platforms as Edweirdworld.
Are you a student writer at Arizona State University who is seeking out a small, but growing, community of writers who are as passionate about writing as you are? A place devoted to helping you further your craft and generate ideas? Then look no further than The Sun Devil’s Writing Network, an online creative writing workshop that meets online using Zoom on the second and fourth Monday of every month. The Sun Devil’s Writing Network seeks to develop member’s craft through peer review, honing their eye as critical readers, and fostering a sense of community.
Date: The 2nd and 4th Monday of every month, starting January 27th Time: 3:00-4:30 p.m. Location: Online using Zoom meeting code 802-685-7310 or by clicking this link. Cost: Free
For more information about the Sun Devil’s Writing Network, click here.
For as long as stories have been being told on our screens, novels have been mined as source material. While often the product is far from the original text, adaptations can breathe new life into a story and illuminate a new aspects of some of our favorite fictional worlds. With the advent of popular streaming services and ever increasing production budgets, now more than ever books are being turned into films. Here are some of my favorite television shows based on books.
Jonathan Strange & Mr Norrell – Susanna Clarke. This book has it all—intricate history told against the backdrop of the Napoleonic wars, political intrigue, battle scenes, magicians, fairies, and books—so it is no surprise that it would be adapted into a stellar TV show. This seven episode mini-series produced by BBC One boasts an impressive cast with actors Bertie Carvel and Eddie Marsan in the titular roles. Of all of the adaptations on this list, Jonathan Strange & Mr Norrell stays as close to the story portrayed by the book as it can.
Game of Thrones – George R.R. Martin. It seems like a given that Game of Thrones would be on this list. HBO’s mega-hit series has changed everything I thought possible when it comes to creating a TV show—especially a fantasy TV show. While the response to the last few seasons of this show was not as enthusiastic as when it was originally released, there is no denying the cultural impact it has had. This show is full of slow burning plot lines, unexpected twists, and makes for an experience that cannot be described as anything less than entertaining.
Tales of the City – Armistead Maupin. In 2019 Netflix released a star studded revival of Armistead Maupin’s popular series Tales from the City. This miniseries is a continuation of three previous miniseries based on Maupin’s work and features some of the same characters. This incarnation of the show goes even further by way of diversity and inclusion and gives a voice to many characters who are extremely underrepresented by the media. All the while, a riveting and emotional mystery unfolds that will have viewers hooked until the end.
The Handmaid’s Tale – Margaret Atwood. In 1985 when Margaret Atwood published The Handmaid’s Tale, there was no way of knowing that the story would draw so many parallels to the coming world. In 2017 when season one premiered, it seemed as if there was no show that the world needed more. The Handmaid’s Tale shows just how fine the line is between freedom and a strict totalitarian regime. It emphasizes the danger of discrimination and valuing one type of human life over another. Most importantly, in my opinion, this show highlights the danger that some women face every day simply for existing.
The Haunting of Hill House – Shirley Jackson. I started this list with an adaption that stayed fairly true to its source material, and so it feels only natural that I end it with something that deviates from the original in a big way. Like so many adaptions of Shirley Jackson’s The Haunting of Hill House, the 2018 Netflix show is a far cry from the novel. This fresh take on the Hill House, however, is one of those cases where the story is given new life. As terrifying as it is compelling, this show will suck you in until its final episode. I only have two pieces of advice about how best to watch it: with the lights on and not alone!
Publisher: Okay Donkey Press Genre: Flash Fiction Pages: 176 pages Format: Paperback My Rating: 3/5 Buy Local
In this flash fiction collection a myriad of victims come alive and show themselves beyond the circumstances they find themselves in. Each piece is set in motion by another murdered woman—including a girl, teacher, mermaid, and others—but there is more to each story than just the inciting tragedy. These stories are laden with grief, intrigue, occasional mystery, and ruminations of what might have been. These are stories of murdered women, but there is more here than meets the eye.
This collection was thought provoking through and through. It is not often that we see something that seems so familiar, in this case the victim, given new life and dimension. Yet that is exactly what Ulrich has done, she has given a compelling voice to characters who in the past would have been hard to cast as anything but flat. Each story, no matter its length, feels both diverse and dynamic and these pieces are in heavy conversation with one another.
While this collection was overall both interesting and innovate, there were times when it felt too repetitive. When reading one story after the next they start to bleed together and the murdered mermaid becomes hard to tell apart from the murdered babysitter and the murdered girlfriend. That is not to say that there is no joy to be had from reading this collection, but it is perhaps a read best done over an extended period of time.
I would like to thank TNBBC Publicity for providing this ARC in exchange for an honest and unbiased review.
Even amongst bookish people, the topic of short stories can be a divisive one. Some readers see short stories as too tedious or time-consuming, while others readers might complain that they feel short stories lack the depth of a novel. Adding to this conundrum, some readers were never properly introduced to short stories and now feel too overwhelmed by the genre and don’t even know where to start. Whatever the case may be, we here at The Spellbinding Shelf celebrate short stories, inviting you to abandon all prior convictions with our comprehensive list of five collections that are bound to make you fall in love with short stories.
Her Body and Other Parties—Carmen Maria Machado. Machado is known for the macabre undertones in her writing and for creating female characters who are not always wholesomely motivated. The ease of her prose makes this collection incredibly alluring, but there is more to it than that—these stories are dark, empowering, nuanced, sinister, and above all else, great fun to read.
Civilwarland in Bad Decline—George Saunders. This is a powerfully imaginative collection that tests the elasticity of language. It doesn’t matter if Saunders is writing about subversive capitalistic greed or an amusement park that is reminiscent of West World, these tales are impeccably crafted. Each story presents a strange new world that will leave the reader intrigued and wanting more.
Stories of Your Life and Others—Ted Chiang. In this collection, Chiang challenges the notion of what short stories are capable of. He builds dense worlds rich with unique language and dynamic characters. He experiments with time to decrease the flow of information to a drip, and yet every page will leave you yearning to know the tales extraordinary conclusion. Ted Chiang is an author worth reading again and again.
Magic for Beginners—Kelly Link. While all of the authors on this list so far experiment with blending the lines between genre and literary fiction, none are so adept at it as Kelly Link. That is not to say that her stories are gimmicky or weighed down by superfluous magic systems and supernatural characters. On the contrary, Link’s stories are full of emotional truth and excavate the far reaches of the imagination. Simply put, these stories are magical, but their power does not come from casting spells, but rather, in their ability to entrance their reader.
Since 1978, the Best American Short Stories series has been a literary staple with anthologies cultivated by great writers such as Joyce Carol Oates, John Updike, Margaret Atwood, Tobias Wolff, Annie Proulx, Lorrie Moore, Roxane Gay, and most recently Anthony Doerr. Each year, this anthology puts forward twenty short stories that represent the best published short fiction. Each collection offers new worlds of enchantment, heartbreak, and excitement. There is no better place to find scores of talented writers, and also a plethora of publications, to further explore short stories—which by now you’re bound to love.
Publisher: Graywolf Press Genre: Memoir Pages: 264 Format: Hardcover Buy Local My Rating: 5/5 stars
What does domestic abuse look like? In what ways can domestic abuse be more than physical harm? What does domestic abuse look like between two women? What does domestic abuse look like when the perpetrator is smaller than the victim? These are some of the questions Carmen Maria Machado sets out to answer in her inventive new memoir In the Dream House.
In doing the research for this book, Machado sought out experiences that mirrored her own, but found the archive of literature and history to be lacking. This is her attempt at taking the first step in adding to that archive. She constructs her story through more than a hundred narrative tropes (i.e. stoner comedy, Chekov’s gun, man vs. self), resulting in an elaborately weaved and imaginatively told story that explores themes of abuse, queer relationship dynamics, queer world building, assessment of self-worth, and ultimately the emotional endurance that humans are capable of.
What I love most about this book, and there is a lot to love about it, is the way in which it pushes the boundary between nonfiction and fiction through the exploration of narrative tropes. While this memoir explores themes that are heavy and at times difficult to emotionally process, the reader is guided along by Machado’s incessant wit and playful prose; making this book fun to read despite the nature of its subject matter. Additionally, Machado annotates her experience with motifs from folk literature (i.e. taboos, ghost cries, girl mistakenly elopes with wrong lover) creating a dream within the tightly constructed world.
Subsequently, this is a book that can easily be read over and over again and even seems to invite just that. There are whole worlds in this work that is part memoir, part literary criticism, part musing on pop-culture, and even part dissection of the music of Aimee Mann. I suspect that each time I reread this book, I will find something new to admire and obsess over.
In the Dream House became instantly important to me not just because of the innovative way in which it is written, but because it seeks to put in place a framework for a more complete history that previously did not exist. As with her critically acclaimed short story collection, Her Body and Other Parties, Machado has again brought attention to an aspect of modern queer life that was once invisible. For this reason and many more, this book will enthrall its readers throughout its course until the wind carries the story away.
Meet author Melissa Duclos, whose new novel, Besotted, is out now from 713 Books. Listen as staff writer Edward Dolehanty has a conversation with the author about her debut novel, the drafting process, and the work she is doing to shed light on small literary presses!
Are you a writer looking to take your craft to the next level? Then look no further than “Write Here, Write Now,” a pop-up writing workshop hosted on the fourth Monday of every month from 6 to 7:30 p.m. at Changing Hands Phoenix.
This month, acclaimed author Tom Leveen will be hosting a workshop focused on dialogue, making your characters stand out, as well as first and third person narration. For more information, click here.
Destroy All Monsters, by Sam J. Miller, is a book with its feet in two worlds. In one world, Ash is as normal as any other teenager fighting to protect her homeless best friend, Solomon, who is on the verge of being swallowed up by the system. In the other world, Solomon rides on an allosaurus and believes Ash to be a princess in hiding with dormant magical powers that can save the world. While their perception of reality is vastly different, there is something that their worlds have in common—they are plagued by a secretive group spreading hate and divisive attitudes through vandalism, targeting those who are already marginalized. All the while, the story is driven by a mystery—what happened between Solomon and Ash when they were twelve that put them on their present course?
This book is incredibly imaginative and ambitious in its form. It is told from both Ash and Solomon’s perspective, though each of them view the world very differently. Subsequently, scenes are revisited and replayed, however, the result is anything but repetitive. Reading this book is like listening to a concept album that continuously finds ways to integrate a thematic melody in fresh and exciting ways! It has a memory of its own, and it comes alive to create a nearly interactive experience for the reader.
While I would not describe reading this book as anything less than fun, it also finds a way to deal with some pretty heavy issues. Chief among them is the way that it addresses the relationship between trauma and mental health, and the way that it explores the spectrum of homelessness in a way that goes beyond static perceptions of the community. Most importantly, at least in my opinion, it also lays out a blueprint for unifying communities against the divisive rhetoric that has become so prevalent as of late.
Destroy All Monsters is a book of immense power and imagination. In its pages there is an adventure to be seized, mysteries to be solved, and worlds to immerse yourself in; but, there is also an examination of community and our responsibility to take care of one another. For these reasons, I cannot recommend this book enough.
Summer is a time for rest, relaxation, fun, and (of course) copious amounts of reading. This summer, I set a goal to read one novel or short story collection a week. So far, I’ve read wonderful books from authors ranging from Ocean Vuong to Zora Neale Hurston. And while I’ve enjoyed every work, these are some of my favorites.
Bloodchild – Octavia E. Butler. Though it was up against some stiff competition, I think this collection is the standout of my summer reading. Each story is a world in itself where the characters and the stakes come alive. Be warned, each of these tales are bound to make your skin crawl (but in the best way possible). One of the highlights of this collection is “The Evening and the Morning and the Night,” in which a woman is battling a genetic disorder that leads to self-harm and mutilation. Another highlight is “Amnesty,” which explores a plant-like alien race coming to Earth and becoming the dominant species.
Speak No Evil – Iweala Uzodinma. This story about Niru, the son of Nigerian immigrants, and his white best friend, Meredith, will leave you thinking long after you read the last page. After Niru comes out to Meredith, she urges him to embrace who he is. In turn, they both must suffer the consequences of Niru embracing his sexuality, and a great strain is placed upon their relationship. Speak No Evil takes an outside perspective of the American dream, weighs cultural notions of sexuality, and confronts the challenge of having brown skin in America.
Difficult Women – Roxane Gay. This is a dynamic collection of honest stories that explore the lives of women in modern America. Their stories range from sisters who suffered through the same trauma to a woman who is cursed with making the ceiling leak. These tales are imaginative, powerful, and at times frustrating. One of my favorite stories from the collection is the titular piece, “Difficult Women,” which explores the archetypes of loose women, frigid women, crazy women, and mothers. Another of my favorites is, “North Country,” in which a woman tries to escape the coldness of her relationship, but discovers a new type of cold in the upper peninsula of Michigan.
Brave New World – Aldous Huxley. I read this book in high school, and for reasons (that I can no longer relate to) I did not enjoy it. This summer, I decided to give it another try, and I am glad that I did. In this futuristic dystopian novel, freedom and knowledge are regulated. At the center of the novel is Bernard, who questions the highly regulated and “civilized” lifestyle of the times because he does not feel as if he fits in. This novel delves into the cost of both individuality and authenticity and puts them to test against the collective well-being of society.
Watchmen – Alan Moore and David Gibbons. I am new to graphic novels, with my introduction being Alison Bechdel’s Fun Home earlier this year. While researching the genre, Watchmen came up over and over again as a great read, and it proved itself to be just that. It follows a group of washed up superheros in an alternate world where Richard Nixon was never impeached and the world is on the brink of nuclear holocaust. The story concludes with a great moral question that will leave the reader contemplating long after you have put the book down.
Publisher: Penguin Press, 2019 Genre: Literary Fiction Pages: 256 Format: Hardcover Buy Local My Rating: 5/5 stars
On Earth We’re Briefly Gorgeous, by Ocean Vuong, is written as a candid letter from Vietnamese immigrant Little Dog to his illiterate mother in which he recants his version of their family and his personal history. In the letter, he explores both his mother and grandmother’s experience as Vietnamese citizens during the American war, as well as their subsequent stories as immigrants in America. He also details his understanding of American culture and the ways in which it is embedded with violence, and he confesses the sordid affair of his first-love with OxyContin addicted Trevor. All the while, Little Dog tries to find his place in his family, in America, and in the world, while remaining both hopeful and grateful for the imperfect love in his life.
From the novel’s opening in which Little Dog evokes Chinse poet Bei Dao in comparing freedom to the distance between the hunter and its prey, I was sucked in by its emotional depth and expressive language. This book is as beautiful and vivid as it is honest and devastating. At times, the string of hope that runs throughout the novel gets so thin that it is barely visible, but in its own subtle way, it always seems to bubble back toward the surface. This makes for an emotionally tumultuous read that is well worth it.
What I believe makes this novel so important is the way in which it addresses the immigrant experience in America. All the while, it employs evocative language to show the power of communication—which is largely taken away from Little Dog’s mother and grandmother. Through the cruelty of assumption born of the lack of communication, the book shows the way in which we all want to belong, and how America represents a collective sense of belonging that Little Dog desperately wishes to be tethered to in order to feel more legitimate. This novel speaks to all of our experiences as immigrants, maybe not from country to country, but on smaller scale, such as moving to a new school or starting a new job; it relates those experiences back into a basic shared human desire to belong.
Another interesting aspect of this novel is the way in which Vuong’s background in poetry influences the form of the novel. The letter Little Dog is writing to his mother is written in a series of vignettes that allow the reader to explore his memories in a way that feels unseated in time. At the same time, the distance between the narrator and the story he is telling is constantly fluctuating. In one scene, that lasts less than four pages, Little Dog imagines his mother taking the long walk home from work. In quick secession the reader learns about some of the layout of Hartford, Connecticut, Little Dog’s job and supervisor at the Boston Market, the origins of Trevor’s addiction to OxyContin, and Little Dog’s Grandmother’s memory of a girl killed in Vietnam while wearing sandals made of the burned rubber of a tire. Through all of this, Little Dog never forgets to return to speak directly to his mother to orient her both emotionally and on the streets that he imagines her traversing. I have to praise Vuong for his ability to make each word and each sentence have so much impact. It is a stunning feature of this novel and one that is likely to keep you hooked throughout its entirety.
At its core, On Earth We’re Briefly Gorgeous is a novel that strives to both accept and celebrate the ways in which love enters our lives. Love, like all things, is imperfect, but that does not mean that we should not cherish it all the same. It is a vibrantly written emotional experience that will stick with you long after you have read the last page. It makes my required reading list for life, and I cannot recommend this book enough.