Survival of the Wordiest: My Month of NaNoWriMo

50,000 words in 30 days. National Novel Writing Month (NaNoWriMo), the ultimate writer’s challenge, runs from November 1st through November 30th and is not for the faint of heart. So, why would I, and thousands others, commit to such a lofty goal?

For starters, there is a huge sense of accomplishment in hammering out what could have taken you months or years in just thirty twenty-four hour periods. It is an effective way to start that project you have been meaning to get to for however long, and—if I am being completely honest—you can rack up some serious bragging rights! 

Yet, NaNoWriMo is not about creating a perfectly polished publishable piece of prose (try saying that five times fast) in 30 days. No, this is about getting that “shitty first draft” (thank you Anne Lamott for that bit of priceless advice) out of your head and onto paper, Google Doc, Word Doc, Scrivener, papyrus scroll, or whatever system works for you. Your NaNoWriMo project is simply the shell of what will, hopefully, become your novel. 

Before one begins NaNoWriMo you may want to identify what category of writer you fall into. Are you a Planner, a Pantser, or a Plantser? 

The Planner is one that does just that: plans. They create detailed  lists, outlines, character sketches, mind maps, world charts, and the like. They are going in armed with as much information that they can have about their novel. A Planner could work for a month or more before NaNoWriMo even begins to achieve their best possible result. Their novel idea might have been knocking around in their brain long before they decided to join the challenge.

The Pantser is one that literally “flies by the seat of their pants.” This is the writer that is pretty much winging it. They have an idea of what they want to write about, but generally have not outlined anything or delved much into character or plot. They are making it up as they go, and following whatever road presents itself to them in the process.

The Plantser, as you might have guessed, is the union of a Planner and a Pantser. It is the best of both types, and involves some outlining or mind mapping, but not so much that there isn’t a little room for spontaneity. 

I am of the Pantser variety and what is known in the Nano world as a “rebel.” My project was not a novel, but a collection of short stories that I have been dreaming about for three years now. Since it doesn’t fall under the novel category, I join the rebel ranks which include nonfiction writers and purveyors of poetry. My first love will always be the short story, and also as a creative nonfiction writer I wear the rebel badge proudly.

While I do not profess to be much of a planner, that doesn’t mean I didn’t do my share of preparation before November 1st. Here are a few of the tricks I employed during the month to keep the creative juices flowing, and the stress level relatively manageable. 

Support System

I warned my family. Many times. This was too big a project to go it alone, and I needed my husband and daughter to understand that I had to write a minimum of 1,667 words per day to reach the goal. In the end they were my accountability partners, cheerleaders, and figurative punching bags when things got tough and I needed to vent!  

Adding to my corner of the writing ring, I enrolled in a class here at ASU designed specifically for NaNoWriMo participants. Starting in October, the class was centered around one goal and one goal only—to get you to 50,000 words. Among the tools and assignments was the craft book, Bird by Bird by Anne Lamott, motivational videos, taped lectures, and required word count screen shot submissions for extra accountability. A strong writing community grew out of this class—and while I was often too busy to actively socialize, I got some great advice and motivation out of my classmates.

The NaNoWriMo website itself ended up being a terrific source of support with national and local “write ins” and badges that you could earn for completing tasks like writing for seven, 14, and 21 days straight, among others. Their website became that one constantly open tab so I could enter my word count (even if it was just a couple of hundred words) quickly and easily. I can’t tell you how satisfying it was to see those numbers creep up each time I logged a session. 

Music to My Ears (and writing fingers) 

A couple of weeks prior to the start of NaNoWriMo, I read that having some writing rituals could help put writers in the best possible and creative headspace. This was nothing new to me, but one ritual in particular stood out as being especially helpful: music. Normally, when I write for a class I use the Rainy Mood website to create some nice background noise, but several sources recommended creating playlists to match the mood and tone of the novel. Since I was writing a collection of short stories, I ended up tweaking this idea and coming up with several playlists. Interview with a witch story? I listened to a lot of Stevie Nicks, and instrumentals. Coming of age story with a mother/daughter duo and a John Hughes obsession? The Pretty in Pink, Breakfast Club, and Sixteen Candles soundtracks became my muses. 

What Light Over Yonder Window Breaks

To bring a little ambience and atmosphere to my writing sessions, I added the element of fire. I started burning scented candles to help bring a little atmosphere to all those hours I spent bent over the laptop. There was something very soothing when, in the midst of some major writer’s block, I could breathe deeply and get a whiff of ocean air, vanilla toffee, or cafe fresco. Did it help the block? Not necessarily, but it did keep me from pitching my laptop out the window. 

Timing is Everything

When creating a writing schedule, I had every intention of writing first thing in the morning to begin my day. But you know what they say about the best laid plans. My writing schedule ended up being as pantsy as my process. When I discussed how difficult it was to write 1,667 words in one sitting (particularly when you have no outline, or other details to work off of) to my instructor, she recommended chunking.

This was one of many “aha!” moments during the month, and something I was already doing with my college coursework. Splitting up my writing sessions ended up being my savior. I would shoot for two sessions of 800 words, but often I would write bits and pieces throughout the day. In this regard, my obsessive rule of having a pen and notebook available at all times was on point. I was constantly jotting down bits of dialogue, action, setting and character details. And when I wasn’t writing, I was thinking about it. My family swears I didn’t hear a word they said for the whole month!

The Finish Line

Yes, I made it. On day 30 with just hours left in the challenge, I finished at 50,120 words, which broke down into five short stories. Was it worth it? Yes. Despite the days that I struggled to get to that 1,667 words. Despite not knowing what my characters were doing or saying, or where the story was headed. Even those days where I was just so mentally exhausted from life stuff (being a student, wife, mother, and employee) that I just couldn’t fathom writing one sentence—much less hundreds of words—it was worth it. Knowing that I was completing work that would have taken far longer to write in such a short period of time kept me going. 

So, What Now?

Just because November 30th has come and gone, and just because I won NaNoWriMo doesn’t mean it is over. Yes, I wrote over 50,000 words. But they are some of the messiest words ever to grace my Google Drive, and that is because I heeded all the advice and did not edit anything while I was writing. I. Just. Had. To. Get. The. Words. Down. So, I know I am going to look back at the work, scratch my head, and ponder “What the heck was I thinking?”

The real work of hard editing is ahead of me. I wrote drunk for thirty days and now I soberly have to edit (thank you Hemingway). But, to quote another writer, Jodi Picoult, “You can’t edit a blank page.” You also can’t submit blank pages to a publisher, an agent, or a literary magazine.

Would I do it again?

In a word? Yes. While the process was demanding, it was extremely motivating. NaNoWriMo took over my life for 30 days, and it was exactly the kick-in-the-pants that I needed to make strong progress on a three year-old idea.

There are a couple of things I would do differently. Although I am a Pantser, I would conjure up some more story ideas prior to NaNoWriMo’s start. It was tricky to both brainstorm and write in such a short amount of time. While I did like splitting up the writing, I would try to do more of it in the morning hours—evenings became difficult for me to write after long days of classes, work, and family responsibilities. I can see myself planning an extra hour in the morning to get a jump start. Other than that I am definitely on board for next year, and I even have a new collection in mind. 

Are you a NaNoWriMo writer? What was your experience? And if not, would you consider taking the challenge and losing yourself in wordsmithing for a month?

Write on!

Practicing The Craft: 4 Books to Help You Become a Better Writer

As NaNoWriMo comes to a close for another year, many writers are celebrating their 50,000 word successes. What does it take to keep going for a full 30 days of writing 1,667 words per day? A little inspiration, motivation, and a lot of perspiration. Many, yours truly included, have turned to craft books this year to get a little nudge, and learn more about what it takes to create a great story.

For those seeking some inspiration and deeper knowledge about their craft, here are four books specifically written to do just that. These authors will lend support, motivate, teach technique, and at times be that friend over your shoulder whispering “you can do this!” It is never too early to get the jump on next year’s NaNoWriMo challenge!


On Writing: A Memoir of the Craft—Stephen King. You will see King’s book On Writing in just about every list that has anything to do with advice for creative writers. The dedication page sums up the tone of the book as King quotes Miguel de Cervantes, “honesty’s the best policy.” King sets the reader up for a no-holds barred look at the craft of writing. Part memoir, part instruction manual on how to write well, King is unflinching with details on his own personal journey and the demons that have accompanied him. His writing advice is similarly honest, and he uses examples from well-known authors to make his points. My favorite piece of advice is one that you have probably heard (but honestly, I don’t think a writer can hear enough) is, “read a lot and write a lot.” Despite what writers desperately want to believe, King claims there is no shortcut. On Writing is a humorous and honest look at what goes on behind the scenes.


Naming the World: And Other Exercises for the Creative WriterEdited by Bret Anthony Johnston. With acclaimed authors such as Joyce Carol Oates and Tom Robbins, Naming the World has some serious writer power. Broken up into sections to tackle such topics as getting started, dialogue, character, point of view and tone, this book unleashes the advice of many different writers coming from a variety of genres. At the end of each short piece is a writing exercise to practice what you may have just learned—and let’s just say that my copy is highlighted and annotated to death.


Thrill Me: Essays on FictionBenjamin Percy. With a biting sense of humor, Benjamin Percy implores writers to do what he was advised to as an emerging wordsmith: “Thrill me.” Through a series of well-curated examples including literature, film and television, Percy breaks down the finer aspects of writing. Through the examination of such topics as activating setting, using lyricism to create beautiful literary music, and creating the perfect balance of peaks and valleys to pace a story, Percy can help you fine tune that work that just isn’t, well, working.


Bird by Bird: Some Instructions on Writing and LifeAnne Lamott. If you only read one section out of Anne Lamott’s book, Bird by Bird, let it be “shitty first drafts.” Particularly helpful for the perfectionist in all of us, Lamott begs writers to shed their inhibitions and just get it down on paper. She gives permission to play without fear of consequence (or later editing)—because playing is where the really great work happens! Through personal experiences, she guides the writer through various stages of writing a story including the shitty first draft, but goes deeper into the psyche. By offering thoughts on writing groups, finding your own voice, and even the ugly green-headed monster, jealousy, she tackles what goes on in the mind of a creator. Lamott also addresses creative nonfiction writers, and Bird by Bird doles out some serious inspiration and craft advice, with a dash of humor.


So…what are you waiting for? Grab a book or two, and start hammering away at your next great story or essay. As Jodi Picoult says, “You can’t edit a blank page!” Happy reading and writing!

Literary Event: PhoeNoWriMo Event

For those of you who don’t know, National Novel Writing Month is the world’s largest creative writing event. During the month of November, writers of all experience levels are challenged to write a 50,000 word novel in just 30 days!

Are you participating in National Novel Writing Month this November? Head over to Changing Hands Bookstore in Phoenix on Saturday, November 30th for hours of writing time amidst fellow writers looking to finish their novels! Interested writers only need to bring their preferred writing tool and their wonderful selves! This event will start at 2pm—get excited!

For more information about this event, click here.


Location: Changing Hands Phoenix, 300 W. Camelback Road

Date: Saturday, November 30, 2019

Time: 2 p.m.

Author Interview

Interview with Author & Photographer Anna Jean Ouellette

Meet Anna Jean Oulette, a local author and photographer from sunny Arizona! Anna is the author of the Raz series, Soft Soul, and 46 Miles. She is currently working on her sixth book.

1. You’ve already published five books in the past six years, which is certainly a very fast pace! How were you able to keep up this writing speed and motivation? Do you have a regular writing routine?

My writing routine has changed a lot throughout the years. In high school I used to wake up at four o’clock in the morning to walk to the nearest coffee shop and write my stories. Since I was such a morning person, this was a regular routine for me and not a difficult one either. However, when I started college, I no longer had the motivation to wake up at four in the morning, and my writing routine began to slack a lot.

Now, I work full time at a daycare for some extra money, so when my two year olds nap each day, I use that opportunity to write. Even though that is only an hour a day, versus the two to three hours that I used to commit, sometimes even more, words still get on a page, and my creative outlet continues to thrive. Writer’s block is definitely something that has existed, especially when writing 46 Miles. However, I usually overcome it by skipping whatever scene I am working on and writing a future chapter, which excites me enough to continue my current scene.

2. You began writing at a very young age, with your first novel, Raz, published at age 14. Now, six years later, have you noticed any changes in your approach to or relationship with writing?

I unfortunately write considerably less now than I did when I was fourteen. I used to sit in my room all day, challenging myself to test how many words I could write in a single day, one time reaching 20,000 as I was writing Izz. Now, I typically only write 1,000 words a week, but I definitely have a lot more in my life to balance now with two full time jobs, my family, planning a wedding, and writing. I wish I still had as much free time to spend writing, but I definitely take what I can get and make the best of it.

3. How did writing your first book compare to writing your subsequent novels? Did the writing process get easier or did you face any unique challenges with your later writing?

One challenge that presents itself when writing each new book is the need to grow. Each new book needs to be better than the book before, but I think my stories have definitely improved since Raz. There was slightly less pressure when writing my first book both because of that reason and because now people are waiting for the next book to be published. It has been a year and a half since 46 Miles was published, and the pressure of having to finish my next book before people forget about that one sometimes outweighs how much enjoyment I get out of writing. It’s definitely different to write with other people’s opinions in mind, rather than just writing for the sake of the story.

4. Your first book was the product of a NaNoWriMo project, which is a writing challenge to complete a novel of 50,000+ words during November, or National Novel Writing Month. Some writers criticize this challenge, arguing that the process doesn’t encourage enough reflection time. Yet, other writers praise NaNoWriMo, saying that it gives them the motivation they need to devote their time to a single creative project. In fact, several amazing published works started as NaNoWriMo’s, including Erin Morgenstern’s The Night Circus and—of course—your very first novel! What are your thoughts on the NaNoWriMo process? Do you think the challenge helped your writing endeavors? 

I absolutely love NaNoWriMo! I have always been very competitive, so the challenge to write 50,000 words in a month definitely stuck out to me! I did it with some friends, so my competitive side made sure I was always ahead of them and on track to finish. I got trifold boards and planned out all my characters and a basic plot line during October and then actually began the writing process on November 1st. I think having some aspects planned out ahead of time helped a fair amount. This challenge definitely helped me write Raz, and then I made my own personal goals for Izz and Adz. I wrote Izz in a month, as well, and Adz in three weeks. I spent a much longer time revising the second two books, however. 

5. In addition to being a published author, you are also the photographer behind AJ Photography, where you capture headshots, senior portraits, wedding events, maternity photography, as well as photos for couples, newborns, families, models, and more. Do you notice any connections between your creative work as an author and as a photographer?

I brainstorm creative ideas in the same way for photo shoots as I do for my books. I get my inspiration from dreams, things other people say, and ideas that I randomly get and pick apart, until they become an entirely different idea. I am constantly daydreaming, and these daydreams are what turn into my stories and photo concepts.

6.  Although most of your photography is professional work, one of the photo collections that stuck out to me most was your creative project—the Invisible Illness Project—which portrayed eight different mental illnesses in an attempt to defy our modern misconceptions. Can you share a little bit about your creative process in this work? How did you decide the ways you wanted to depict these illnesses?

I definitely got a lot of help from both friends and the internet when brainstorming for this idea. I chose models who have struggled with (or known someone who has struggled with) one or more of the mental illnesses that I chose. The models were then able to help better the ideas that I already had and bring them to life. When I displayed these pieces of art in the RAW Phoenix Gallery, I received enormous appreciation for my work, and many people said that they were able to relate to each piece.

7. And, finally, we like to ask all of our featured authors to share their current read. Are you reading anything exciting at the moment?

My latest read is Different by Janet McLaughlin. It’s definitely an easier read, good for younger ages, but is about a girl with Tourette Syndrome, something I struggle with personally and that very few people write about in books. This author is amazing because she is helping spread awareness and overcome misconceptions of Tourette’s. I think that is why this book speaks to me so profoundly, even though it is written for a younger audience. 


Learn more about Ouellette’s books here. You can also view her photography website here.