Jade is beginning her freshman year at Arizona State University. She is pursuing an Electrical Engineering degree through Barrett, the Honors College. She is a proud parent of multiple plants and an adorable dog. In her free time, she enjoys reading, painting, and playing the piano.
It’s likely that your daily life has been affected by the spread of COVID-19 in the United States. News sources and social media are constantly being inundated with updates on cases, school closures, and panic buying. Amidst the chaos, it’s important to help one another in these tremulous times.
While everyone’s lives are being affected by this pandemic, some suffer more than others. Across the U.S., millions of children depend on schools to provide them not only to learn, but also to eat. In light of nationwide school closures, Jennifer Garner and Amy Adams have teamed up with Save the Children and No Kid Hungry to create #savewithstories. Celebrities across the nation are reading children’s stories through Instagram and Facebook, as well as collecting donations to ensure that school and community programs are well-equipped to keep kids fed and learning.
For more information about this program, and to donate, click here, and be sure to follow this initiative on Instagram at @savewithstories.
The Tucson Festival of Books takes place next Saturday and Sunday, March 14 and 15, from 9:30 a.m. to 5:30 p.m. This event includes panels from over 350 visiting authors, as well as countless activities and performances. If you are interested in attending but want to avoid a cumbersome drive, Changing Hands Bookstore is offering a bus ride to the festival on Saturday, March 14!
Tickets can be purchased any time from March 1–14 for $65 per person. Those looking to attend this event should arrive at either Changing Hand’s Phoenix location at 6:45 a.m. or the Tempe location at 7:15 a.m. Tickets also include a continental breakfast, coffee, water, and a goodie bag with advanced reader copies of books! Participants will arrive in time for the festival’s opening and will be able to spend the day as they please, reconvening with the bookstore group at 5:45 p.m.
For more information about this event, and to purchase tickets, click here, and to learn more about the Tucson Festival of Books, click here.
We all have our favorite type of book. Personally, I am drawn to those that make me feel more like myself after reading them. More often than not, these books are classics, and Little Women is no exception. Due to my fondness of this gorgeous novel, I had very high standards for the recent movie adaption, and am pleased to say that they were exceeded. Before we dive into my thoughts, please keep in mind that this post contains major spoilers for the Little Women novel and film—read on at your own risk!
It’s become common vernacular to call classics “timeless,” but modern adaptations are always a welcome reminder of the enduring themes found in these works. Meg, Jo, Beth, and Amy were catered to an audience from more than a century ago, yet we can still relate to and feel seen by the sisters’ personalities (Jo, here!). Many of the ideas expressed throughout are still relevant today as we grapple with similar roles and expectations. Try as I might, I don’t think there is room in this post to capture every wonderful thing about this adaptation. Instead, I’d like to focus on three main differences between the book and film.
The first of these changes is Greta Gerwig’s ingenious decision to create a fractured narrative of the original storyline. Instead of beginning on Christmas day with four little girls, we see four grown women already established in the world. If you’ve read the novel before seeing it in theaters, it was a bit jarring to be thrust in nearly three-quarters of the way through, but the purpose soon became apparent during the first flashback to the Gardiner’s party seven years early. This creates an interesting twist on the familiar story by starting with well-established women making their way in the world, and then going back to show their beginnings. It also allowed for some powerful juxtapositions, such as Beth’s heartbreaking death scene. To keep the storyline from getting too muddled along the way, the film follows two timelines: one starting in the winter of 1861, and one starting in the fall of 1868. Both timelines progress forward from their origin point.
The second of these changes involved Laurie’s relationship with Jo and Amy. Personally, I thought Amy and Laurie’s engagement in the novel was quite abrupt, and even went so far as to reread the book upon finishing to see if I had missed clues of their feelings for each other earlier on. By comparison, Amy is seen pining after Laurie throughout the entirety of the film, and even says that she’s loved him her entire life. I found this change refreshing, as it gave the viewer more insight into Amy’s character and better justified her actions.
This change did, however, have an interesting effect on Jo’s character. In keeping with the original story, Laurie proposes to Jo, and is rejected, but she later reflects that she might have been wrong to turn him down and goes on to write him a letter asking to marry him after all. The letter is never delivered, however, as Amy and Laurie return from France engaged, leaving Jo to frantically retrieve and destroy the letter. While this change did give the viewer more insight into Jo’s feelings (an Oscar-worthy speech delivered by Saoirse Ronan on gender roles and loneliness that still has us sobbing), it also painted Jo as being somewhat resentful of Amy’s relationship.
Perhaps the most noteworthy change Gerwig made to the original storyline is the film’s ending. After Freidrich leaves for California, the family comes together to tell Jo that she loves him and needs to go after him. The scene suddenly cuts to Jo in the publishing house with Mr. Dashwood, with the former explaining that her character doesn’t get married, and the latter insisting that her book won’t sell if it doesn’t end with marriage. Jo reluctantly agrees, and the scene shifts to a (possibly fabricated) past where Jo confesses her love to Friedrich. The ending is open to the viewer’s interpretation: the first is a meta twist where Jo publishes her book, Little Women, and remains happily unmarried, and the other stays true to the novel’s conclusion, with Jo and Friedrich getting married and opening a school together. This dual-ending could reflect Alcott’s own life, or the story she would’ve chosen for Jo if she didn’t have to meet the demands of the time period, but still honors the book’s original ending. More so than this, however, it suggests that it is not the chief end and aim of the story to focus on whether or not Jo marries.
No adaptation is without its cuts, and while I mourn the loss of Jo’s disastrous dinner party and Beth’s kittens, this film did an admirable job of condensing nearly 800 pages into a two hour film while still including the best parts.
If you have already seen the movie and are interested in reading this book yourself, you can buy it from Changing Hand’s website here. I hope you enjoy it as much as I did!
Are you interested in getting published in a literary magazine? Are you looking for information about what editors are looking to publish? Head over to Desert Nights, Rising Stars Literary Fair for more information!
From 2:15 to 2:45 p.m. on February 22, editors from Superstition Review and Hayden’s Ferry Review (two ASU-based literary organizations) will provide helpful tips about submitting to literary journals. Editors in attendance include Rachel Hagerman (The Spellbinding Shelf‘s very own editor-in-chief!), Tess Prendergast, Lucas Selby, and Scott Daughtridge DeMer. They will share advice about contributing to the publishing world, and will also be available for questions and an individual follow-up at the conclusion of the panel.
For more information about this event, and to RSVP, click here.
Location: Front Lawn, Old Main, Arizona State University, 400 E. Tyler Mall, Tempe
As the year is now winding down to a close, we enter a time of reflection of the joys 2019 held and begin to look forward to the future—a perfect time to look for new reads to brighten our 2020! Whether you are searching for new books to add to your TBR pile or a fun new book to gift to a friend or loved one, this list is guaranteed to fill your 2020 with delightful new reads. Some of these selections are beloved and long-awaited sequels, while others are relative newcomers to the bookish world, but all of them have something special to offer to every kind of reader.
The Kingdom of Back – Marie Lu. While Marie Lu is no stranger to the world of YA fiction, The Kingdom of Back is Lu’s first work of historical YA fantasy. This novel is centered around the two Mozart siblings, Nannerl and Wolfgang, and their love of music. Both siblings have a prodigious talent for playing and composing, but Nannerl’s ambition is hindered by the societal constructs of 18th century Europe that forbid women from composing. Wolfgang’s talents continue to grow and Nannerl’s hope dims further and further until a mysterious stranger appears offering her a deal that could cost her everything, or give her everything she’s ever wanted. This book tells a story of music, magic, and the unyielding bond between siblings.
Release Date: March 3, 2020
The Ballad of Songbirds and Snakes – Suzanne Collins. This selection holds a special place in my heart, as Suzanne Collins’ The Hunger Games trilogy was central to my literary journey as a middle school student.As of now, we don’t know much about what Collins has planned for The Ballad of Songbirds and Snakes, but the novel will be a prequel to the trilogy, taking place sixty four years earlier than the events of The Hunger Games during the Tenth Annual Hunger Games. Although this novel will not include Katniss or Peeta (for obvious reasons) here’s to hoping that we might see some cameos of older characters from the original trilogy! This book is set to be released in May, giving us just enough time to reread the original books first.
Release Date: May 19, 2020
You Are Not Alone – Greer Hendricks and Sarah Pekkanen. Hendricks and Pekkanen are already a highly-acclaimed writing duo, known for their top ten bestsellers The Wife Between Us and An Anonymous Girl. Their latest novel, You Are Not Alone, is centered around Shay Miller, a woman without a job, apartment, or a love life. Her eyes are opened when she witnesses an average woman make the decision to end her life by jumping in front of a subway train and realizes that she could see herself traveling down the same spiral. She soon meets a group of glamorous, put-together women offering to take her in with the promise, “You are not alone.” As Shay becomes more involved with the enviable Moore sisters, she finds her life getting better and better, but at a terribly high price. As the stakes continue to grow higher and higher, Shay finds herself wondering if “You are not alone” is a promise, or a threat. This psychological thriller is sure to shock and fascinate all varieties of readers.
Release Date: March 3, 2020
Imagine Me– Tahereh Mafi. Imagine Me is the sixth and final book in the explosive Shatter Me series. Try as I might, there are no words to accurately capture the beauty of this series. The series is set in a dystopian future and is centered around protagonist Juliette Ferrars. Juliette possesses a singular ability that makes her both powerful and feared: anyone who touches her feels immense pain and can be fatally wounded. Juliette uses her abilities to try and overthrow the tyrannical Reestablishment destroying her world. The prose of this series is especially noteworthy, as some lines and passages are crossed out to reflect Juliette’s train of thought. The Shatter Me series tells a story centered around love, resilience, and triumph over adversity. For those who have already read the other books in the series, I’m glad you can empathize with my bubbling excitement; for those that haven’t, you have almost four months to get caught up before the final book is released!
Release Date: March 31, 2020
The Authenticity Project – Clare Pooley. “Everybody lies about their lives. What would happen if you shared the truth?” This is the question that aging artist Julian Jessop wrote in a green notebook labeled “The Authenticity Project” before leaving it in a local cafe. When Monica stumbles upon Julian’s notebook, she adds her own story and aims to find a way to make Julian feel less alone. Soon, a whole cast of characters have added their stories to the green notebook, and even begin to meet in real life, where they’ll subject themselves to the terrifying ordeal of being known. The Authenticity Project promises to be a lighthearted and quirky yet candid and outspoken narrative on the nature of honesty and love. This book is highly recommended for those looking for a book about the human condition and who want to change the way they think.
For those of you who don’t know, National Novel Writing Month is the world’s largest creative writing event. During the month of November, writers of all experience levels are challenged to write a 50,000 word novel in just 30 days!
Are you participating in National Novel Writing Month this November? Head over to Changing Hands Bookstore in Phoenix on Saturday, November 30th for hours of writing time amidst fellow writers looking to finish their novels! Interested writers only need to bring their preferred writing tool and their wonderful selves! This event will start at 2pm—get excited!
For more information about this event, click here.
In the modern age, we’ve seriously begun to take the wonder that is a well-written line or quote for granted. From our Instagram bios to epithets and even TV shows and movies, our world is framed around the words of others. To pay homage to the beauty of some of these memorable quotes, I’ve compiled a list of books (and a couple of poems) that are chock-full of swoon-worthy quotes that promise to stick with you and change the way you think about the world. Some of my selections are more modern, and some have stood the test of time, but they are all sure to leave you astonished by the brilliance of written word.
The Lovesong of J. Alfred Prufrock – T.S. Eliot. This existential poem is one of Eliot’s most famous and oft-quoted works, and for good reason. The narrative is fairly concrete in comparison with the author’s usual abstract style, and it’s mainly centered around the monologue of an narrator who finds himself paralyzed by fear and anxiety. This poem is justifiably well-known and finds its universality in our tendency as humans to try to control our own fate, and the feeling of being perpetually on the outside looking in. Because of the multiple interpretations of this poem that are available, it has appealing aspects for all audiences, but will be especially enjoyed by those with an appreciation for philosophy and the human experience.
Memorable Quote: “For I have known them all, known them all: Known the evenings, mornings, afternoons, I have measured out my life with coffee spoons.”
The Great Gatsby – F. Scott Fitzgerald. Fitzgerald is another commonly quoted author, and The Great Gastby is one of his most popular works. The narrator, Nick Carraway, often provides memorable quotes through his pessimistic musings about the human condition. The titular protagonist, Gatsby, by comparison often speaks to the starry-eyed idealism that lives inside of each of us, and the innate desire to ceaselessly pursue our personal happiness. Together, these two characters create a beautiful juxtaposition and many meaningful dialogues. This novel tackles themes such as love, isolation, and a desire to relive or change the past, with these themes combining into a melting pot of outspoken quotes about living in a world enraptured by materialism and status.
Memorable Quote: “I was within and without, simultaneously enchanted and repelled by the inexhaustible variety of life.”
Looking for Alaska – John Green. Oh, John Green. Where would we be without your lighthearted but candid reflections on life? Looking for Alaska was Green’s first novel, but delights readers with so many strident ideas concerning the nature of life, death, and attempting to make the unknowable known. As a bonus, this novel also contains many great lines in the form of famous last words of men and women, as well as a reference to Gabriel Marquez’s The General in His Labyrinth, and Auden’s As I Walked out One Evening. While this is one of Green’s more graphic works, it provides many thought-provoking observations on the inherent interconnectedness of people and the unseen ways in which we impact one another throughout our lives.
Memorable Quote: “We need never be lost, because we can never be irreparably broken.”
Jane Eyre– Charlotte Bronte. For fans of romantic writing, Jane Eyre provides a gold mine of ethereal and mesmerizing lines. Jane herself manages to be simultaneously timid and bold, and this balance is reflected in both her spoken words and her introspective thoughts. The novel is centered around themes such as independence, morality, and the struggle between rational thought and emotional feeling, making it relevant today for all audiences.
Memorable Quote: “I remembered that the real world was wide, and that a varied field of hopes and fears, of sensations and excitements, awaited those who had courage to go forth into its expanse.”
The Laughing Heart – Charles Bukowski. I have to admit, I am a huge Bukowski fan, and I couldn’t resist adding him to this list. While most of his works tend to be laced with a fair dose of cynicism, The Laughing Heart is uncharacteristically hopeful and optimistic. This poem manages to convey a powerful message in just a handful of lines, and has a duality to it that allows it to be both soft and stern, reminding each of us of the power that we hold within ourselves. On a good day, this poem is an affirmation that we are already equipped with everything we need to succeed in life, and on a bad day it reminds us to keep fighting and never yield to the darkness that sometimes threatens to encroach our vision.
Memorable Quote: “your life is your life. know it while you have it. you are marvelous the gods wait to delight in you.”
Turtles All the Way Down tells the story of Aza “Holmsey” Holmes, a high schooler attempting to solve a mystery while also struggling to co-exist with her mental illness. When fugitive billionaire Russell Pickett goes missing and a hefty reward is offered for information leading to his whereabouts, Aza’s best friend, Daisy, convinces her to investigate. Reuniting with her childhood friend (and Pickett’s son), Davis, in hopes of learning more about the case, Aza soon finds herself enamored with this kindred spirit and a relationship begins to develop.
Amidst the romance and mystery, however, Aza spends a great deal of her time trapped within her own mind. Suffering from severe OCD and anxiety, she lives with a constant fear that she will contract a fatal disease and be overrun by the bacterial colonies breeding beneath her skin. These intrusive thoughts regularly impede her daily life as she grapples with “thought spirals,” in addition to navigating the treacherous waters of friendship, romance, and sleuthing.
Fans of John Green’s other works will feel right at home within the pages of this book, which contains many characters and philosophies that have become classic Green staples. Turtles All the Way Down echoes The Fault in Our Stars in terms of the instant love connection between Davis and Aza, as well as the exploration of the meaning of life through untimely deaths. It is worth mentioning, however, that this is one of Green’s heavier works, as the reader spends the majority of the novel subjected to the intrusive thoughts of the protagonist. Aza spends a large portion of the novel wrestling with irrational fears and trying (and often failing) to fight her compulsions. Despite the discomfort experienced in parts of the novel, this only makes the story being told all the more important, as it provides a glimpse into the often-ignored realities of mental illness. Suffering from OCD himself, Green has remarked that this book is very personal to both himself and his experiences.
One of the most poignant aspects of this novel lies in the way Green alludes to deep, universal themes without explaining them too much. A theme explored both throughout the book and throughout Green’s writing is realizing and accepting that some things aren’t meant to be fully understood. Readers can take as much away from this book as they wish, at both a surface level and with deeper analysis of symbols and motifs.
At its core, Turtles All the Way Down sends a hopeful message, while still managing to stay true to the narrative of mental illness. Despite the sometimes darker aspects of the novel as Aza sometimes fails to grapple with her own mind, she continues to ceaselessly press on and chooses to believe that we have more control over our lives than we might believe. Turtles All the Way Down is the perfect read for those who wonder about our smallness, our vastness, and the integration of our seemingly-irreconcilable selves. The underlying sense of hope serves to soothe anxious minds and remind us that “your now is not your forever.”