Where the Crawdads Sing by Delia Owens
Publisher: G.P. Putnam’s Sons, 2018
My Ratings: 5/5 stars
Outside a small town on the North Carolina coast, Kya Clark’s family abandons her in a shack on the marshland, where she must learn to survive on her own, living off of the land she admires and studies. For years, rumors and prejudice follow Kya, known as the uneducated, wild “Marsh Girl.”
When two men from town become entranced by her wild beauty, Kya decides to open her heart to the vulnerability of love—only to find herself hurt and in pain.
After the town’s beloved quarterback, Chase Andrews, is found dead, townspeople point fingers at “Marsh Girl,” the suspicious figure that looms behind the twists and turns of the marsh’s waterways. How did Chase Andrews die? Was it murder? And if so, did Kya have anything to do with his death?
This coming-of-age story is my favorite book of the summer so far. It’s hard for me to characterize this book—other than to say it is a work of coming-of-age fiction. In some ways it is a mystery, revolving around the suspicious death of Chase Andrews and borrowing tricks from the crime fiction genre. In other ways it’s a romance, but it only offers small glimpses into Kya’s relationships with the two townie boys. Owens chose to focus more on the development of Kya and pain the men caused her. Still, in other ways, it has some elements of a young adult book, where Kya learns about menstruation and womanhood from a wise woman named Mabel. However, it targets a more mature audience in its commentary on human behavior, especially that of sexuality and violence. I think the fact that Owens borrows elements and storytelling strategies from so many different genres makes her work more compelling. Her story isn’t confined by one specific genre expectation.
The novel is a nonlinear narrative, containing switchbacks between Kya’s story growing up in the marsh and the discovery of Chase Andrews’ body (and subsequent investigation and court trial). Although date-jumbling like this can be a risky writing choice, I think Owens executed her plan perfectly. It was easy to jump between the two story strands, and I felt that she switched between the two parts of the story at the right moments, keeping me interested and not letting me forget about one narrative strand or the other. She never lost me once in all of the switchbacks, but I can’t say the same for some of the other books I’ve read that use this technique!
The protagonist, Kya Clark lives mostly in isolation with only the landscape to keep her company throughout much of the narrative. It was interesting to see a character like this learn to open up to other people and try to apply her knowledge of other creatures to her understanding of humanity.
The one critique I had was about the poetry of Amanda Hamilton that is intertwined throughout the novel. To me, the poems seem a bit trite and on the nose, but I believe this is forgivable once you reach the story’s conclusion. I’m jumping around a spoiler here, but the unexpected ending ties the novel together and answered my remaining questions, leaving me feeling satisfied with the story.
Because the book borrows from so many different genres and explores such an interesting protagonist, I suspect many fiction lovers will adore this beautifully-crafted novel.