Book Review

Mara’s Awakening by Leo Flynn

Publisher: Leo Flynn
Genre: Science Fiction
Pages: 44
Format: e-Book
Buy Here
My Rating: 3/5 stars

Summary

Mara’s Awakening follows Mara Keres, a half-robotic peacekeeper who has fallen from grace. She has been kept in solitary confinement in a high security space prison for six years, but is finally released into the general prison population, her captors beliving she is finally broken.

Still a fighting spirit, Mara immediately teams up with her new cell mates, Ishali, a half snake man, and Mallory, a human woman with a secret, to escape the prison. However, that is easier said than done, especially since Mara has made some powerful enemies who would like to see her dead. But who exactly are these enemies, and what did Mara, a renowned peacekeeper, do to find herself surrounded by criminals and hunted at every turn?

Thoughts

Starting off with the good, I really enjoyed the mystery this story presents in regards to how Mara wound up a criminal. Throughout the story the reader is introduced to several people from Mara’s past, all of whom seem to have a great deal of vitriol towards her for quote “betraying them.” Likewise, Mara seems to believe that the government in fact betrayed her—specifically referencing a council that is implied to be in control of the entire galaxy. This framing provides an engaging dichotomy where the reader is unsure if Mara is indeed a criminal or if the government is behind something nefarious. This makes for a fascinating read where the reader cannot trust anyone and must piece together the story from context clues and hints in the dialogue.

A small detail I also enjoyed was how the author gave the main character a distinct way of speaking. Mara speaks with a twang in her voice that is reminiscent of the cockney accent. This distinction helps establish that Mara doesn’t belong, as she is the only character who speaks that way in the entire book. It isolates her from the rest of the world and really drives home how she is, in a sense, adrift and abandoned. I really appreciated how this detail was able to establish so much about Mara’s character without feeling forced.

However, where the book lost me was with the establishing of the setting. It’s important to note that this book is the first in a series of short stories that together tell the story of Mara. This means that the book had very few pages to establish the setting, the characters, and the plot for the entire series, and while the author did establish what the overarching plot of the book to be, the setting was underdeveloped. Through context clues the reader can determine that the prison is on some sort of spaceship, and that there are different species besides humans, but the overall universe where the characters live and the rules of said universe are left unexplained. This causes specific aspects of the book to feel disjointed and sudden. For example: when Ishali, the half-lizard man, is introduced the reader learns his species name, but not much else. The only way I was able to identify that he is a half-lizard man is by one sentence that references him having a lizard-like tail. However, the book doesn’t explain anything about his species nor does it clarify what they are, leaving me to guess that he is some sort of lizard-human hybrid. These disjointed pieces make the book feel like the first chapter to a book—which in a way it is—but since the next chapter would be found in the next book, it leaves the reader a little lost to the world where Mara’s Awakening takes place.

Overall, I loved the setup of the mystery and the characterization of Mara—especially in regards to Mara’s connection to the government—but was disappointed by the limited development of the setting. However, I do expect that the author will divulge more information in his second book, Mara’s Choice, so hopefully this limitation will correct itself with time. If you’re looking for a quick sci-fi read this summer with an excellent mystery and you don’t mind a little confusion, Mara’s Awakening is only 99 cents on Amazon and is definitely worth the read.

Short and Spooky: 4 Horror Anthologies To “Fall” For

“The Spooky Season”

Every October a craving begins for pumpkin spice-flavored anything, sweet tooths start aching, and harmless orange fruit becomes the bearer of terrifying and toothless grins. The yearning for a good scare also grows as full as a harvest moon as we flock to haunted houses and corn mazes, or even to Netflix to give us that shot of fear-based adrenaline. Another surefire way to create some chills is simply turning to some classic horror stories—and there are a plethora of short story anthologies to get your spine tingling and your heart racing. In this classic selection of oldies-but-goodies, there will be aches (but not the sweet tooth kind), the bittersweet taste of revenge, mad men, and weird women a-plenty. Enjoy, but be sure to read with the lights on.


Norman Bates has nothing on some of these psychos…

Psychos—Robert Bloch. Not to be confused with Bloch’s classic Psycho, this collection centers around madness and its many forms. Whether it comes under the guise of a seemingly benign object with murderous intention, the most intense road rage on record, a meticulously planned revenge plot on a drunk driver, or a “oops” of an autopsy, these stories will genuinely freak you out. A notable tale from this anthology is “Grandpa’s Head” by Lawrence Watt-Evans, which will make you rethink the pasts of every single person in your family, even the most innocent-seeming! 


These ladies were ahead of their time…

Weird Women: Classic Supernatural Fiction by Groundbreaking Female Writers (1852-1923). More recently published, yet by no means modern, Weird Women is a collection from the female perspective. Compiling work from such greats as Louisa May Alcott, Charlotte Perkins Gilman, and Frances Hodgson Burnett, these stories are beautiful, bold, and brooding. From ghostly little girls in locked rooms, unrequited wishes coming true through dreamscapes, and the beauty of wistaria (the old-fashioned spelling) covering sinister deeds, these tales are all supernaturally stunning. The stories are helpfully annotated to bridge the gap in some vernacular differences as well. If you appreciate lush writing, descriptive details, and the suspense of a slow burn, you will love this collection.


A little naughty, not nice…

I Shudder at Your Touch: 22 Tales of Sex and Horror. For those who like a little risque with their risk, I Shudder at Your Touch features distinguished writers such as Stephen King and Clive Barker. With such disturbing topics as devilish weight loss programs, a not-so-little mermaid, a yearning for youth gone dark, and perverse revenge on an ex-lover, these stories spice things up more than that latte at Starbucks. A notable tale here is “Keeping House” by Michael Blumlein, with a creepy look at a woman’s descent into madness. If you like “The Yellow Wallpaper” by Charlotte Perkins Gilman, you will be sufficiently spooked by Blumlein’s story. There is also a follow up edition, Shudder Again.


The indisputable king of macabre…

Everything’s Eventual: 14 Dark Tales—Stephen King. No list of short story anthologies would be complete without one from the king of horror, Stephen King. Everything’s Eventual is a collection featuring what you would expect from King—the unexpected. A lunch date gone gruesomely wrong, wish fulfillment for a quarter, and a traveling salesman debating his own self-inflicted untimely death, this is one diverse batch of dark tales indeed. Notable stories are “1408,” which explores just how creepy a hotel room can be, and “The Man in the Black Suit,” which is King’s nod to Nathaniel Hawthorne’s “Young Goodman Brown.” Incidentally “1408” was adapted into a decent film starring John Cusack and Samuel L. Jackson.


So, curl up with your favorite blanket and a pumpkin spiced latte, turn the lights down low, and give yourself the willies. Just don’t blame me when you lie awake in the dark wondering what those strange sounds are!