Staff Writer Rikki Tremblay

The Body Keeps the Score: Brain, Mind, and Body in the Healing of Trauma—Bessel van der Kolk. Dr. van der Kolk is a leading expert on trauma studies, and this book is a must-read for academics, professionals, and laypeople alike. You get a thorough and grounded definition and discussion of what trauma is—not just mentally, but physically, emotionally, and spiritually as well. Van der Kolk then covers various paths to recovery beyond just the orthodox approaches to trauma. You’ll learn how to use new techniques like eye movement desensitization and reprocessing (EMDR), acting, and yoga in the treatment of trauma.

As someone with cPTSD and recovering from past trauma myself, this book was such a gift. My copy of the book is heavily dog-eared, underlined, highlighted, and scribbled with notes, break-throughs, and revelations throughout. It’s not always an easy read because it will unearth ancient hurts and spark painful—but cathartic—connections at times. I’m happy to have read this book at the beginning of 2020 because I felt better prepared and equipped to survive the collective trauma we’ve all experienced the rest of the year!

Staff Writer Abhilasha Mandal

The Turn of the Screw—Henry James. This book is a horror novella published in 1898. It’s unique due to the psychoanalytical angle it takes on the main characters of the story—Miles, Flora and their governess. It is also largely open to interpretation.

Bly Manor, where they live, is haunted by two insidious spirits who seek to consume Miles and Flora. The governess learns of this and puts all her energy into protecting the children. But is what she’s seeing really there? There are several moments in the story that make you question the governess’s mental disposition. Also, even though she is very descriptive of her protective feelings for the children, some parts of her interactions with them suggest she is not disclosing her innermost feelings for them, especially the boy, Miles.

There is, in fact, much debate among scholars on the hidden meaning of this book. It has also received a lot of critique because it is suggestive of some things that are now inexcusable. But it is a gripping read, and it is best to read it and interpret it for yourself. The thrill doesn’t diminish upon rereading. I would recommend this book to anyone who likes psychological thrillers or gothic drama.

Staff Writer Melanie Wilson

The Alchemist—Paulo Coelho. My favorite book of 2020 has been The Alchemist by Paulo Coelho. I read it for the first time this year and I can understand why it’s a classic. My favorite quote from the book was “This is what we call love. When you are loved, you can do anything in creation. When you are loved, there’s no need at all to understand what’s happening, because everything happens within you.”

Staff Writer Lauren Kuhman

The Hobbit—J.R.R. Tolkien. There are a plethora of good books—all of which were strong contenders for the title of my favorite book of 2020. However, I think that J.R.R. Tolkien’s The Hobbit stands out the most. I have never really read any fantasy novels, and whenever I approached any of Tolkien’s most famous works I was offered a slew of positive, yet cautionary advice on how some of them are lengthy, uneventful reads. Nevertheless, I was (and am) determined to begin the adventure that is The Lord of the Rings series. Since I had never before read these books—or even really watched the movies—I thought it would be appropriate to start at the beginning. While I have yet to begin any of The Lord of the Rings books, I still loved The Hobbit. It was an engaging read that, while being classified as a children’s book, was as exciting and mysterious as any adult novel I’ve read. Additionally, as a novice fantasy reader, I thought it to be a good introduction to the genre and incited me to seek out similar novels. 2020 has been an absolute whirlwind of the year with travesty, drama, some thrills, and complete horrors, so having the ability to tumble down waterfalls in wine barrels was a welcome relief from the very unique and complicated year that has been 2020.

Staff Writer Jaycee Graffius

The Hitchhiker’s Guide to the Galaxy—Douglas Adams. This book had me laughing for days! I would sometimes have to put the book down and just giggle nonsensically at the matter-of-fact way in which the book would make absolutely absurd assertions. Each character was delightfully relatable, which is an impressive feat seeing as one of those characters was a hippie/former galactic president with five heads, and they each brought their own comedic flair to the story without feeling redundant. This book reminded me a lot of my favorite podcast, “Welcome to Night Vale,” which also uses absurdist humor to create a peculiar world. I’ve already purchased the entire series and cannot wait to explore the galaxy with my trusty towel!

Staff Writer Amanda Thomas

Shadow and Bone Trilogy—Leigh Bardugo. Young Adult Fantasy had always been my favorite genre, but when you’re deep into your English major, you learn to sample other genres like contemporary and speculative fiction, which leans towards more mature and controversial themes than fantasy and romance. Not to mention how monotonous the YA genre can get when there is a certain trope that authors tend to trend towards. It had been so long since I’d read a YA novel that when I came across this trilogy by Leigh Bardugo with the brilliant cover design, interesting titles, and intriguing summaries, I decided to give it a try. Let’s just say, this trilogy sparked my love of YA fantasy again. While it has its shortcomings, the introduction into the “Grishaverse” detailed a rich fantasy environment with political intrigue that truly felt engaging and unique. I was drawn into this world and fell in love with its characters and the structures of magic that were utilized. It has also inspired me to continue to read into this universe created by Bardugo as the stories and her writing has continued to improve. While I’m still thankful for being able to expand my horizons and read more “adult” types of fiction, reading YA feels like coming home to the type of reading and fantasy worlds that made me into the book lover I am today.

Staff Writer Sharon Enck

Weird Women: Classic Supernatural Fiction by Groundbreaking Female Writers: 1852-1923—Edited by Leslie S. Klinger and Lisa Morton. If Jane Austen and Edgar Allan Poe had a book-baby, it would be Weird Women: Classic Supernatural Fiction by Groundbreaking Female Writers: 1852-1923. It is my favorite read of 2020 because it mixes three of my literary loves: the horror genre, the short story, and narratives from a female perspective. Combining the beautiful turns of phrase a la Austen, with the spine tingling, teeth gnashing grittiness of Poe, Weird Women gives the reader lushly written tales of horror and the supernatural.

There is definitely something jolting about having topics like cruelty, murder, and loss being described as though they belong between the covers of Pride and Prejudice. And if you thought that Louisa May Alcott was only sugar and spice and everything Little Women, you would be deliciously wrong. I was pleasantly surprised to see that that particular author has a dark side as well as a heartwarming one. Among the distinguished list of female writers is Charlotte Perkins Gilman (yes, “The Yellow Wallpaper”) along with some new voices that I am thrilled to have discovered.

Communications Coordinator Roxanne Bingham

A Ballad of Songbirds and Snakes—Suzanne Collins. This is the prequel to The Hunger Games and I loved getting a look at the mind of President Snow. It was really interesting to see how much The Hunger Games had changed between his mentoring and the games we know. I love villain origin stories, and seeing exactly how he became a villain was so satisfying. I hope she writes more prequels of some kind because I want to know more! 

Managing Editor Jade Stanton

What We Owe To Each Other—T.M. Scanlon. This book provides a possible answer to some of the complex questions at the heart of morality and ethics: how should we judge whether an action is morally right and wrong? Why should we concern ourselves with morality in decision making? Scanlon posits that our conception of morality should be based upon what actions could not be reasonably rejected by others. In this way, what we owe to each other—and, by extension, our views of morality—are ever-evolving and depend on the specific circumstances of individual situations. 

Full disclosure: I heard of this book by watching The Good Place, which aired its fourth and final season this year. While I will caution readers that this is a very (very) dense read, I found the ideas it presents to be very relevant to 2020. Between the pandemic and the civil unrest we have seen this year, it’s hard to deny the importance of morality and decency in today’s world. My favorite thing about this book, however, is that it’s underlying assumption is that, by the very nature of our shared humanity, we owe each other something. To quote The Good Place’s Chidi Anagonye, “we choose to be good because of our bonds with other people and our innate desire to treat them with dignity. Simply put, we are not in this alone.” This sentiment, while always important, feels especially poignant given the turbulence of this year. While we may not know what next year holds, let this be the message we carry into 2021.

Editor-in-Chief Mackenzie King

Tess of the Road—Rachel Hartman. This is probably one of my favorite books of all time, not just 2020. It is set in the same fantastical universe as Hartman’s other books, Seraphina and Shadow Scale (which I also recommend!) but it follows the protagonist’s younger half-sister. It has the main features of any vaguely medieval fantasy novel, with dragons and kings and mistresses, but Hartman’s take on the genre is refreshing and unique. Fantasy has always been my favorite genre, so it was a breath of fresh air to read a fantasy novel that did not fall into the usual tropes. 

Tess is suffocating under the weight of her past “failures” and believes, in the words of her father, that she is “born bad.” Tess’s rebellious streak is highly relatable and her emotional responses draw you even further into the story. Even though I have not personally experienced all that she has, Hartman’s beautiful prose makes you completely understand the complexity of her character as she struggles to accept her past, her mind, and her body. All of the characters are remarkably human and real—even the non-human characters! The mystery of Tess’s past unfolds throughout the book, working through her traumas and disappointments until she eventually accepts them. I would have never thought a book about the main character simply travelling would be so compelling, but it is utterly fantastic! Also, the sequel, Tess of the Sea, will be released soon!