The Now Dark Sky, Setting Us All on Fire by Robert Krut
Publisher: Codhill Press, 2019
My Rating: 4.5/5 stars
Krut’s collection contains three sections: the first two with fourteen poems each and the last one with thirteen. The poems do not necessarily tell a single unified narrative, though they do flow and have a definitively similar tone.
However, it is worth noting that these poems must be read in order to gain a true sense of the collection.
While I cannot claim a perfect understanding of this collection, I can say that the title gives a good indication of the themes, subjects, and images that repeat throughout the collection. The sky is dark “now”, encompasses the immediate value and poignancy of these poems, as well as the action they contain. The striking images of a dark sky setting us on fire illuminates how the natural world has this effect on “us all”, a reminder of a unifying inability to control our own mortality.
When you read a poem, you get a tiny glimpse into the author’s perspective on the poem’s subject filtered through the perception of the poem’s speaker. But when you read a collection of poems, you really get a sense for who the author is, what they feel, and what is on their mind. This poetry collection reveals the mind of a man who has a sharp eye for observation and keen insight into the common experience of human emotions, filtered through startlingly unique and moving imagery.
Krut’s collection surprised me with its portrayals of the world that felt both aptly universal and intensely personal, capturing the essence of the human journey with its yearnings and fears. The most repeated setting, or at least the one that left the deepest impression on me, was the graffitied streets of a city bustling with cabs that was still somehow hollow inside. Krut’s distinctive voice characterized cities and their residents with unique associations that relayed powerful truths.
Though many of the images in Krut’s collection were unsettling, this felt intentional rather than jarring. Each poem had its beauty, albeit an evocative and haunting appeal. My personal favorite, “The Tuning Fork and the Listeners,” was the one that seemed to most aptly characterize the echoing that resounds throughout our world, masterfully applied through the metaphor of song and a tuning fork. Krut’s skill in conveying ideas in a few lines is evident on each page in the collection; the short length is a gift that allows readers to return and glean more insight from the poetry.
Despite the intensity of the imagery and sophisticated writing, I believe high school students and above should be able to understand Krut’s message, or at least, appreciate his thematic and stylistic construction.
Thanks to the author and publisher for providing an ARC in
exchange for this honest and unbiased review.